Twitter
Wednesday
Feb152012

Cork's Cattlebaron: Hammer to Nail's Febuary Short Film Contest runner-up.

Big congrats to Eric Steele and all of the actors and crew involved for recieving the runner-up spot in Hammer to Nail's Short Film Contest for Febuary. I was DP for this short and had a great experiance working with Eric, producer Adam Donaghey and the rest of the crew. Glad that this film is starting to get some recognition and I look forward hearing much more about it in 2012.

 

Wednesday
Dec072011

Verbs vs. Capital Letter Nouns: Back to Work #44

A new episode of my favourite 5by5 podcast, Back to Work, is up and it's a doozy. 

Listen here...

or subscribe on iTunes. 

Tuesday
Dec062011

The National @ Austin Music Hall 12/4/11

The highlights were the older or less commonly played songs like "Santaclara", the ending of "Cardinal Song", "Lucky You", "Available", and "The Geese of Beverly Road".

Snagged a pick of Aaron Dessner's there as well thanks to Joy. 

Thursday
Dec012011

Thoughts on the Blue Valentine end credits

My M.O. for both watching a film or listening to a piece of music (particularly one I enjoy) has always been to imagine myself as the individual who created it.  More specifically, I think about the first time some member of my family (my parents, an uncle, whomever was sent a free copy) consumed that film or song and realized that it was I who was at the helm.  It's an incredibly gratifying feeling (despite being a complete fantasy). I've always found it motivating though - not only does it force me to consciously attempt to push my own work onto a higher plane but it tricks my head into believing that I am capable of such feats.     

One such instance where I felt that mix of envy and excitement was when I recently saw the end credits for Derek Cianfrance's 2010 film Blue Valentine. It lit a spark and I haven't thought about much else for the past few days.

For starters, it would be difficult to count the numerous times I have listened to the Grizzly Bear track "Alligator" and imagined myself as vocalist/guitarist Daniel Rossen with that distinct voice and playing style. Add to that BV editor/title designer Jim Helton's ultra-inspired sequence using Davi Russo's iconic set stills and you have a recipe for "the coolest thing I have seen in a long time".  It is also well-earned flash after a film in which the visual flair hinges only on the straight-forward cutting of Andri Parekh's fantastic cinematography. 

Please take a look at the credit sequence and an interview with it's creator at Art of the Title.  

And of course, watch Blue Valentine if you haven't already. It took a few viewings and a commentary track to turn me around on a few aspects of the film, but I am glad I put the time into it. 

 

Tuesday
Nov292011

"...the extras eat glass." A interview of Adam Lisagor by Merlin Mann

On Lisagor's upcoming webstock talk and more.  

Listen here.

Sandwich Video